Animation (in) Flux 2.0

Edinburgh College of Art, Lauriston Place

Keynote speaker

Ellie Land

Animating Care: Practice-as-Research from Plunge to Glacies

Registration

Registration opens 1st August for all delegates

Early Bird fee £85 1st–23rd August
Full Fee £95 24th–31st August
Register here

Registration will close on 31st August to allow for accurate catering numbers – please advise of dietary requirements and access requirements in the registration form.

AiF 2.0

Schedule

Thursday 10th – Friday 11th September

Day 1

Thursday 10th September

Arrival and refreshments

Opening Remarks

Note there is a scheduled fire alarm test at 10.30am.

Session 1 Craft

  • Animating Pattern and Surface. Meg Cook
  • Alternative futures — evolutionary perspectives. Virág Vécsey
  • Echos of the Banshee: reimagining oral folktales in sand-on-glass. Cormac O'Kane
  • The Cut as Resistance: Material Craft, Authorship and Meaning in Cutout Animation. Velislava Gospodinova

Lunch

Session 2 Production

  • Eikonikós Zoetropos: A Case Study Exploring the Affordances of Creating Animation Within Virtual Reality. Claire O'Brien
  • Handcrafted Frames in Virtual Pipelines: Stop-Motion as ICVFX Pedagogy. Calum Main
  • A Smart Opportunity for 360° Animation. Andrew Connor.

Break and refreshments

Showcase of Practice

  • The Oracle of Elsewhere: Women’s Migration Constellation. Cecilia Chuan Jiang

Workshop (TBA)

Symposium Dinner (TBC)

Day 2

Friday 11th September

Arrival and refreshments

Session 3 Platforms

  • Understanding (in) Instagram Reels. Samuel Regan-Edwards
  • Play it Again. Robin Griffiths
  • Pictures in the Stars: Animating Constellations of Stories. David Clark

Break and refreshments

Session 4 Identity

  • Zoe-Driven Ethics and Animated Subjectivity: Affirmative Post-human Approach to Creative Practice. Siyu Tian (Trina)
  • Trans-animation. Chloe Thorne
  • Between Peaks and Troughs: Cyclical Patterns in Welsh Animation. Dr Elain Price and Alexander Sergeant
  • The resilient 2D animator : AI – a threat to identity or redefining the industry? Aaron Warters (online)

Lunch

Keynote: Ellie Land

Animating Care: Practice-as-Research from Plunge to Glacies

Closing Remarks

Keynote speaker

Ellie Land

Animating Care: Practice-as-Research from Plunge to Glacies

The theme of Animation (in) Flux invites us to consider a field shaped by continual technological, industrial and cultural change. Looking back over twenty years of practice, I have worked across stop-motion, hand-drawn animation, digital hand-drawn animation, documentary, virtual reality, projection mapping, and interactive installation. While the technologies have continually evolved, the questions driving my practice have remained remarkably consistent. Rather than asking what new technologies can do, this keynote asks what animation itself can do: how it might create relationships between lived experience, audiences and environments through an ethics of care.

Reflecting on an iterative programme of practice-as-research, I consider how each project has generated the next line of inquiry. Beginning briefly with Bathroom Privileges, I trace an ongoing interest in animation's ability to communicate subjective experience beyond the conventions of observational documentary. This has developed through a body of work centred on the lived experiences of women, exploring themes including medical misogyny, trauma, mental health, disability and wellbeing through trauma-informed production methodologies.

The keynote focuses on Plunge, a short animated documentary that became a catalyst for expanding my research into immersive and interactive storytelling. During its development, questions of wellbeing became inseparable from the environments in which they were experienced, shifting my attention towards environmental care and hydrocitizenship. Two subsequent projects, Plunge Immersive and Glacies, extend this research through virtual reality and embodied interaction, exploring how animation might foster new relationships between bodies, stories and shared blue spaces.

Rather than positioning animation solely as a representational medium, I reflect on Animating Care as an emerging way of understanding my own practice-as-research: one in which animation becomes a relational methodology, carried across changing technologies while remaining grounded in care, collaboration and embodied experience. Reflecting on twenty years of practice, I've begun to understand my work through this idea.

Plan your visit

Delegate information

Venue

The symposium will be held at the Hunter Building, Edinburgh College of Art, 74 Lauriston Place, Edinburgh EH3 9DF.

Entrance will be signposted for registration.

Accommodation information

We do not have access to student halls due to proximity of term starting but can recommend the following hotels within short walking distance of the venue (Edinburgh has no shortage of hotels/ B&B options and Hostels which can be found via your favoured booking platform).

Listed by closest to venue but vary in cost.

If you are looking for a hostel, the closest to the Venue is the KickAss Hostel, Grassmarket.

Edinburgh

Getting Here

Edinburgh is well-connected by air and by rail. You can use Skyscanner to find and buy flights, and Trainline to find train tickets. If you are flying to Edinburgh, there are bus and tram links from the airport to the city centre.

If you are taking the train, Edinburgh College of Art is approximately a twenty-minute walk from both Haymarket and Waverley railway stations. Frequent buses are also available; for routes and timetables see Lothian Buses. Taxis can be booked from Central Taxis or City Cabs. Uber is also available in Edinburgh.

Travel advice can also be found on the University of Edinburgh website here.